EASTMAN ARTISTS


Artist Spotlight: Chuck Ragan


One listen to Feast Or Famine, and it is undeniable that the deep, gruff voice that once screamed powerful punk anthems belongs to none other than Chuck Ragan. The former Hot Water Music frontman has become a musical troubadour, writing stripped-down acoustic songs that retain the same passion evident in his punk rock career. Feast or Famine, his debut studio album for SideOneDummy, beautifully captures the sound of a gifted singer/songwriter as he journeys into the next chapter of his musical life, with an acoustic guitar in hand.


"I think this is the most mature material that I've ever been able to do," says Ragan. "I've gotten a little older and while I had a blast with all the yelling and the sweating and falling off the stage, this is who I am right now."


Teaming up with producer Ted Hutt (Bouncing Souls, Flogging Molly), the laid-back recording process took place with close friends including Matt Skiba (Alkaline Trio), Jolie Holland, Jon Gaunt, Matt Hensley, Tim Barry (Avail), Nathan Maxwell (Flogging Molly) and James Fearnley (The Pogues). The album also displays Ragan's remarkable musical talents with him playing the harmonica, lap steel and both acoustic and electric guitars.


"I had fun playing all sorts of old instruments on the record and I think we achieved a pretty full sound from the trashcan to the pipe wrench," Ragan says with a laugh, "I was also very blessed to have some really awesome people contribute to this record."


Feast or Famine at its core is a folk record in the most traditional sense of the term. Each song stands alone and yet molds together to take the listener on a melodic journey. The violin-driven "Do You Pray" is startlingly reminiscent to Bruce Springsteen's tribute to Pete Seeger in We Shall Overcome: The Seeger Sessions; "Don't Cry," evokes the spirit of Hot Water Music in a new context that recalls Uncle Tupopo; and the austere "Symmetry" makes you feel as if you are in the studio with Ragan.


"I love the fact that the record is such a ride," says Ragan, "it goes from bluesy, kicking-up-dust kind of porch music to slower more intimate love songs."


On Feast or Famine Ragan returns to music's roots and captures a time when creating an album was not about Pro Tools and modifications, but instead about songwriting and talent. As the next chapter in his musical career begins, Ragan could not be more excited about his endeavors.


Website: www.chuckraganmusic.com
Myspace: www.myspace.com/chuckragan





In the News: Tim Barry


Barry, a thick, grizzled character whose singing voice ranges from crystalline to Joe Cocker-gruff, isn't griping about his lack of fame and riches. He honestly doesn't yearn for the mansion, the pimped ride, the groupies, and all the other crap. The truth is, Barry's perfectly content with his simple, low key existence - what do you expect a guy whose favorite pastimes include taking long meditative walks and sitting on the porch strumming a battered guitar?


Website: www.timbarryrva.com
Myspace: www.myspace.com/chuckragan



In the News: Stolen Sweets


The Stolen Sweets formed in 2004 with the intention of reviving the songs of 1930s sister act, The Boswell Sisters. Comprised of vocalists Jen Bernard, Lara Michell and Erin Sutherland, guitarists Pete Krebs and David Langenes (both of whom sing) and double bass player Keith Brush, The Sweets' repertoire has expanded to include material from the 1920s -1940s. Their arrangements are still inspired by the Boswells' tight 3-part harmonies, frequent tempo changes and "knowing shrugs and raised eyebrows," as noted by the Oregonian's A&E.


Unlike the original Boswell arrangements that featured piano, clarinet, and horns, the Sweets incorporate gypsy jazz accompaniment, reminiscent of Django Reinhardt.


The Boswell Sisters were popular harmony singers in the late 20s and early 30s, keeping company with the likes of the Dorsey Brothers, Bunny Berigan, Eddie Lang, and Benny Goodman -- partnerships that provided the jazz world with some of its most influential recordings.


Website: www.stolensweets.com
Myspace: www.myspace.com/stolensweets





In the News: Jimmy Buffet

Jimmy Buffet and the Coral Reefer Band
play Eastman Handcrafted Guitars

Peter Mayer and Mac McAnally of the Coral Reefer Band are playing Eastman Archtop Guitars.

Mac plays an AR810E.
Peter plays an AR910CE.


Eastman Guitars has received rave reviews from: 20th Century Guitar, Acoustic Guitar, Downbeat, Guitar Buyer, Vintage Guitar, Jazz Times and Just Jazz magazines.

Click here for more information


In addition, these professional musicians also have great things to say...







TONY ROMANO

"What impressed me most about my Eastman Thinline is the amazing tone and clarity of this guitar. It is an extremely well balanced instrument that plays like a dream. It delivers a crispness and punch that is just incredible. Once I got it, It instantly became my favorite guitar to play."




JOHN PISANO

"In the more than 50 years that I've been playing guitar, I don't ever recall being as impressed with an instrument. When I first played it at the NAMM show, I knew I had to go home with it. And now that I've been playing it regularly, the sound and feel of the guitar just gets better and better."

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JACK PEZANELLI

"I can't say enough about this [Eastman] guitar in terms of workmanship, materials, and playability!"

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WALT JOHNS

"These guitars are amazing! I have been an endorser of Eastman Guitars since they first started and they continue to surprise me with their high quality and low prices."




JONATHAN STOUT

"There are no other guitars out there like Eastman. Nobody else is doing real acoustic archtop guitars. These things have the best resonance and projection going, and they're even better than a lot of 40-year-old classic archtop guitars I've played. My Eastman Golden Age Lacquer AR810CE is easily the best guitar I've ever played."

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DAVID SEBRING

"The music of The Gypsy Hombres is quite challenging and I use my Eastman guitar exclusively with this group. I find the exquisite tone and balance is precisely reminiscent of the golden age of archtops of the late 20's and early 30's."

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JOE MORRIS

"My Eastman AR810CE is the only guitar I've ever played that sounds really great through an amp or acoustically. The sound is deep, strong, and full of character. This is an incredible musical instrument."

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BRUCE FORMAN

"Fantastic instruments...they hold up to weather changes, strange environments (both acoustical and physical) and they always play and sound great."

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DAVE MACKENZIE

"This guitar sings like an angel and barks like a junkyard dog. Eastman is making the classic vintage guitars of tomorrow."

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BOB RUSSELL

"I haven't been so excited about playing a guitar since I got my very first one... forty years ago! I love the voice and the feel of my Uptown."

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CHRIS MAGIONE

"My AR810CE immediately became my number one guitar after a side-by-side comparison with other archtops costing over twice as much. The fit and finish, the tone, the playability, the sheer 'awe' factor of the design…did I mention the tone!? I play in a local big band just holding down the rhythm and as soon as I got this guitar I started getting asked to play solos. Regardless of the price, this carved archtop beauty satisfies in every way."




STEVE HERBERMAN

"The first time I played one live with a group I was amazed at how well the guitar cut through; loud and clear, round and warm. They're very easy to play; they just feel right."

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JOHN JENNINGS

"The Eastman Uptown is one very cool archtop guitar!"

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JUSTIN KARPINOS

"My Eastman AJ616 absolutely sings. It's an incredibly responsive instrument with wondeful projection and balance across the strings and a beautiful tone. I've played various styles of music on it in all kinds of live performance and recording situations, and it's thrived in all of them."

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DON NICK

"The sound, playability, and craftsmanship of my Eastman AR800 are all I had hoped for and then some."




CHRIS MCELROY

"My Eastman AR810CE is not only a beautiful guitar, it's the best playing guitar I've ever owned."




TOBY WREN

"My Eastman Uptown AR810CE creates the best guitar sound I have ever had. I recently used it on my new CD 'Umlaut' and it sounds fantastic."

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LENNY ARGESE

"I have been playing Eastman guitars since October 2003. They are the the best guitars that I have had the pleasure of owning and playing in my 45 years in the music business. It's hard to find words to describe how great these instruments are."




BOB VENTRE

"My Eastman AR800E has become my main instrument for playing Broadway musicals and variety acts, as well as for big band and jazz dates. I specifically wanted a non-cutaway acoustic arch top for playing 'time'. Add the Kent Armstrong pick-up and it becomes ideal for bebop, swing and "Django". Its rich tone and clarity, whether playing rhythm or single string unison lines with an ensemble, has earned me many compliments from fellow musicians. Thanks for marketing a superb hand-made instrument at an extremely affordable price."